artdrunk: 13 Questions with Storm Ascher of Superposition Gallery
Storm Ascher seems to do it all – she’s a painter, a sculptor, a writer, and founder of Superposition Gallery, a nomadic gallery that shows in temporary spaces in LA, New York, and Miami. It’s no surprise, then, that Forbes listed her on their Art & Style 30 under 30 list in 2022. Ascher told us a bit about her path and the concept behind Superposition – and keep an eye out for her upcoming exhibition hosted at Phillips in Los Angeles, opening on January 19th.
—Taylor Zakarin
Can you talk about what drove you to conceive of and establish Superposition Gallery?
Superposition is my attempt at solving the age old problem of gentrification when it comes to the arts. Artists are used to beautifying our towns yet are not supported enough to be able to enjoy the lifestyle backdrops they’ve created. After traveling to other countries and seeing this pattern that was born out of the commercialization of art in the US, I wanted to find a way to still pursue my passion but feel that I was making a difference instead of adding to this worldwide dilemma.
What was your first job in the art world, and what led you to that opportunity?
My first job in the art world was curating the senior show of the Visual & Critical Studies department, where I was also a student, at The School of Visual Arts for the graduating class of 2018.
Superposition Gallery is a nomadic concept. How have you chosen your locations?
Our locations are chosen mostly out of necessity for the artists – where they would like to be seen. The other aspect is working with communities that need more exposure for the arts and culture that is already present there – particularly by bringing fresh eyes or more emerging artists to revitalize the historical narrative of that specific place.
What is your favorite museum in New York?
The Met.
How has your practice as an artist informed your work as a curator and gallerist?
My empathy is heightened when working with other artists because I understand the pressure of the studio and the emotional highs and lows of the artistic process. It helps that they know to be candid with me, because then expectations are clear.
Friends can usually find you…
On a plane.
Favorite place in New York City?
The Highline.
What is the last thing you read?
Joan Didion’s Slouching Towards Bethlehem.
What does the art world need less of?
Flippers.
What does the art world need more of?
Dancing at opening receptions.
Favorite period of art history?
Right now! I call it the Superposition Movement.
An artist you’re currently thinking about?
Ambrose Rhapsody Murray.
If you weren’t in the art world, what would you do?
I would probably be in the music industry. Before art, I danced and sang professionally.
